May 20, 2014

Cultured Butter: Better Butter with Bacteria

Puritan Therapy: Better Your Butter with Bacteria

Can we talk about butter for a moment?  No, not margarine. Margarine is a sad attempt at butter, which may be fine for certain applications (or for the lactose intolerant), but it is still always lacking.  There is a certain richness and depth in good butter that I have never seen in any margarine.  While these days the science seems to indicate that margarine is slightly healthier, it is nowhere near enough to convince me to switch from the things that I use butter for. Why?  Because when I choose to use butter, the flavor of that butter is usually the reason.  Croissants, brioche, mashed potatoes.  It's all about the flavor, not just the fat.  I never realized the importance of good butter (or the variation between butters) until I started making croissants.  It was shocking how much of a difference there was between the basic cheap butter and the European Plugra butter.  With Plugra, "the flavor and aroma of cultured butter are added with lactic starter distillate, a natural flavoring derived from cultured milk", and there is a much higher fat content than normal American butter.

So Plugra is not actually cultured butter, but it has some of the indications of such. But what makes butter "cultured"?  My 12 year old sense of humor makes me want to make some reference to taking it to the opera, but actually, it all has to do with bacteria.  Before churning it into butter, the cream is given mesophilic culture, which is comprised of good bacteria.  Given time, the bacteria will eat the lactose in the milk, reproduce, eat more lactose, etc.  This makes the cream more acidic, which produces a tang and gives a different and more complex flavor, but it also creates an environment so that bad bacteria can't get a foothold.  If you left warmed cream out on a counter for several hours without adding any additional bacteria, it would be a race between the good and the bad, and it would not be a good idea to drink it afterwards.  But since we've fixed the race, the good bacteria has a huge advantage.  It's a similar process to that of making yogurt or cheese. Once the cream has been cultured, which can take anywhere from six to twenty four hours, depending on who you ask, it is ready to be churned into butter.

Churning butter.  That phrase may conjure images of an old timey bucket with a stick coming out of it, or, in my case, my second grade classroom.  We were broken up into pairs, and given a sealed mason jar of cream to shake.  Either way, it's the same general idea.  Agitate the cream until it magically turns into butter.  If you've never done this by hand, it is a lot of work.  To a six year old, it felt like an eternity.  Not to mention it led to really tired arms.  But as we all know, food processes are not magic, they are science!  So what is the science behind churning butter?

To understand how churning works, we have to take a closer look at cream.  Cream is basically fat and protein (along with vitamins, minerals, antibodies, etc.) suspended in water.  The fat is contained in a coat of protein, so it's nice and balanced.  As the milk ages, this protein coat will start wearing away, allowing the fats to clump together.  If you leave a container of milk out long enough, it will sour, fall out of suspension, and you can actually see these 3 distinct layers.  The protein and other elements, being heavier than water, will sink to the bottom.  The fats will float on the surface, and the "water" level will be in the middle. The smell of this rotten milk is amazingly bad, so I don't recommend it.  Conveniently there is an easier (and tastier) way to get the fat to clump together, i.e. form butter.  By agitating the cream, these little bubbles of fat coated in protein will start bumping together.  As they bump together, the protein coat starts chipping away, so that the fat globules are exposed.  Once that happens, the fat will start coming together faster than popular kids in high school.  Thus, you are left with all the fat in one clump (butter), and everything else (butter milk).

While I may be guilty of owning several unusual tools (like my drop spindle), I do not, in fact, own a butter churn.  I also remember the pain of trying to shake that mason jar, so that method was out.  I do, however, have a stand mixer, which is very good at agitation.  All the instructions I read about churning butter in a stand mixer said that the transformation from cream to butter happens suddenly, and to use the bowl shields, plastic wrap, or anything else to guard against the buttermilk splashing all over the place.  Unfortunately, I am also occasionally guilty of not being very bright.  I assumed that if kept my stand mixer going at its lowest speed, then it shouldn't be a problem, because I'd be able to hear the beginnings of sloshing and turn it off.  This is not the case.  The transition between a thick whipped cream and butter/buttermilk happens very suddenly, and there is a large amount of splashing once it does.  I may have had to do a fair amount of cleaning of  my floor, wall, counter, etc.  Don't be me.  The second time I made cultured butter, not only did I use the shields, but also plastic wrapped any open spaces.  I can occasionally be taught.

After the butter comes together, all that is left to do is to rinse out any spare buttermilk to help keep the butter from going rancid using very cold water, shape it into a ball (easy if you are rinsing it in cheesecloth), and add salt if desired.  Store the butter in the fridge tightly wrapped.  With all the effort you went into making this amazing thing, it would be exceptionally sad for the butter to pick up "refrigerator smell".  Also, don't forget to save your buttermilk, you can use it to make fried chicken, biscuits, or all sorts of other things.

One last note about salting or not salting butter.  Unless there is a recipe that specifically calls for salted butter (like these salted butter caramels from David Lebovitz), always use unsalted.  Not only does it give you more control over the amount of salt, the salted butter will produce a sort of sour taste in the final product.  Just like with many things, you can always add more, but you can't take any out.  Unless the plan for the cultured butter is for use on toast or bread, I recommend just leaving out the salt.

What to do with the finished cultured butter?  I'm going to test out mine by baking croissants.

Final Analysis


Financial Outlay: Cultured butter requires two basic ingredients, cream, and mesophilic culture.  The cost of cream can vary depending on where you live.  I got my culture for $5.00 from Standing Stone Farms, which is enough for over a dozen batches of cultured butter (or a variety of other types of cheese!).  So the cost is definitely higher than your run of the mill butter, but if you're comparing to something like Plugra, it becomes much more economical.  Especially if you are also using the buttermilk produced.

Time: The active processing time, if you're not churning the butter using a mason jar, is less than an hour.  However, the time required to culture the cream is at least six hours. Definitely not a last minute project, but not overly intensive either.

Quality: The result of this is a good, fresh, high quality butter.  I did not taste test directly next to Plugra, but I would put it up there at least on the same level.  The results after using it for baking were amazing.  Spreading it on a good fresh crusty bread could be phenomenal as well.  Even considering this makes me want to go make more just to use as a spread on things.

Fun: Most of the process of culturing butter is waiting (as the warming and the churning take up a very small amount of time to do).  Choosing to not use the shields on a stand mixer could provide a sort of Jack-in-the-Box sword of Damocles excitement to your afternoon, followed by lots of cleaning.  But in this case it is much better to consume the finished product than make it. It's not "un-fun", but it is no wild and crazy time either.

Apr 22, 2014

Baking for Child's Play

I have finally almost recovered from PAX East. While a three day convention of gamer geeks is always one level of exhausting, this year I decided to take an extra step to get involved with the Cookie Brigade.  The cookie brigade is a group of, essentially, guerrilla fundraisers for Child's Play. Child's Play is a charity that provides toys, games, and books to children's wards in hospitals.  Essentially it's gamers coming together to fight the stereotype that video games are a force of evil, and do an awful lot of good in the process.  Child's Play also just happened to be founded by the same guys who run PAX. I know it's somewhat circuitous, but it makes sense in the end, right?

Volunteers will bake an insane number of cookies, candies, and other types of baked goods.  Some people will bake thousands of cookies for this three day weekend, and there's even an achievement of the dozen dozen dozen. Yup, that is 1,728 cookies baked by one person, for one three day weekend. Then, other volunteers (and sometimes some of the same ones) will give out all of these treats for free, while being exceptionally grateful for all the donations to child's play that we receive.  Every cent goes directly to the charity.

I actually took a couple of days off of work before PAX just to have more time to bake. There were some oatmeal raisin cookies, chocolate chip cookies, rice krispy squares, raspberry meringue kisses, and some other bake sale-esque standards, but I thought I would share some of the lesser known things that I made:

Kirby Marshmallows

If you ever played video games in the 90's, you will probably recognize Kirby.  The marshmallow to the left is somewhat simplistic, but hey, so is the design of the character.

Marshmallows are fairly easy to make, in the realm of candy, and I've found that there are two different types.  Those that contain egg whites, and those that don't.  It isn't a question of being vegetarian, as they still contain gelatin.  So unless you choose to use a purely plant based gelatin, they will not and cannot be vegan.

Other than the egg whites, the recipe is basically the same.  Sugar, corn syrup, water, gelatin, vanilla, and then a "marshmallow mix" of powdered sugar and corn starch.  If you have tried any of my gummy candy, the basic ingredients aren't that different. 

Alton Brown has a reasonably good marshmallow recipe that does not contain egg whites.  I've tried the recipe, and it's not bad.  I don't, however, think that the result creates quite as light and fluffy an end product as what I could get in a store.  So as much as they look cool, and I could impress people by saying that I've made marshmallows, or go ahead and make all sorts of interesting flavors, they don't make it all the way to "oh my god" good.

If I want to get to that level, I have to turn to David Lebovitz. His is my go to recipe. Instead of weighing out my gelatin (as it's between 2-3 envelopes of standard gelatin), I will usually just use the 3 whole packets. I've done it both ways, and there is enough flexibility in the execution that they turn out great.  If I'm feeling lazy, or if I don't have an immediate use for the egg yolks, I will just use meringue powder/dried egg whites. 

Now the question, why egg whites?  If you've ever made a meringue or an angel food cake, you can probably guess.  Thinking about food science, what is an egg white and what does it do? If you said that it is a source of protein, and adds structure to whatever it is in, you get a gold star.  When baking, protein creates the scaffolding to provide form and structure.  This is the reason why bread (which uses a high protein flour) is chewier and can support larger air bubbles than a cake, which uses a low protein flour.  Another way to consider it is to think of bubble wrap.  Bubble wrap is a strong structure that will trap air inside.  In this case, the egg whites (along with the gelatin) is the 'plastic' from the bubble wrap that will hold the air.  If the plastic is weak, the bubbles will break, and the air escapes, leading to a dense, flat marshmallow.  If the plastic is too strong, however, there would be a lot of air, but it would be way too chewy.  Because of the huge amount of air that are in store bought marshmallows, I want to be able to maximize the air inside.  The egg whites help me do that. 

Because I wanted Kirby his traditional pink, I added a few drops of red food coloring until the mixture was the right color, and poured it out to set in cake pans.  Once the marshmallows set, a cookie cutter and some cake decorating gel brought his cheerful face to life.

Chichi Dango Mochi

Tri-Colored Chichi dango mochi
This is a type of rice cake that I came to learn about from people who grew up in Hawaii.  It not only has a coconut flavor to it, but also happens to be both gluten free and vegan, just by accident.  While friends of mine consider anything that's not at least 2-3 color mochi substandard (as it is traditional in Hawaii to do 2 or 3 colors) it is equally as tasty if it is just plain white.  The recipe I use is a blend of a few other recipes I've found, so I will put it here.  But virtually any chichi dango recipe will be pretty much the same.

Ingredients:
1 Box (1 lb.) of  Mochiko 
1 12 ounce can of Coconut Milk
2 cups sugar
1 teaspoon baking powder
2 cups water
1 teaspoon vanilla
1 teaspoon salt
Kinako (optional)
Food coloring (optional)
  1. Preheat oven to 350 degrees Fahrenheit.
  2. In a bowl, combine the Mochiko, sugar, and baking powder.
  3. In another bowl, combine the coconut milk, water, and vanilla.
  4. Add the wet ingredients to the dry and mix until combined, making sure to scrape the bottom of the bowl.
  5. If making single colored mochi, pour into a greased 9x11 inch pan, cover tightly with tinfoil, and bake for 60 minutes, or until the top appears fully set.  Let it cool fully in the pan.  Slice into small squares (1-2 inches) and eat.  If desired, roll pieces in Kinako before eating or storing.

    If making tri-colored mochi, separate batter into 3 equal parts.  Add food coloring to achieve desired colors.  Grease a 9x11 cake pan, and pour the first part in the bottom.  Cover tightly with tinfoil, and bake for 10 minutes, or until the cake has set (there are no puddles on the top).  Pour the second color on top, re-cover with aluminum foil, and return to the oven for 20 minutes, or until the layer has set.  Finally, add the third layer, cover with aluminum foil, and bake for an additional 30 minutes, or until the final layer has set.  Let it cool fully in the pan.  Slice into small squares, roll in kinako if desired, and eat.  

Peanut Butter Fudge

I previously did a post on my peanut butter cookie fudge here, but even the basic peanut butter fudge is so good that it bears repeating. While the peanut butter cookie fudge is quite good, the original recipe is just about perfect, and can be found on the Marshmallow Fluff Page.  I tend to use a candy thermometer when I make it, but it is not necessary.  The ingredients are all very basic, with the only potential difficulty being marshmallow fluff.  Outside of New England I've heard it can be a little harder to find.  On occasion I've substituted regular marshmallows for it if I was running short.

There are also variations to try if you're being adventurous.
  • The peanut butter cookie fudge linked above
  • After pouring out into the pan to cool, mixing in swirls of Nutella, or other peanut butter friendly spreads
  • After pouring out into the pan to cool, add a thin layer of chocolate to the top.
This fudge is fun because it is relatively easy to mold (for the larger silicone molds).  I did one batch as the portal companion cubes.  However, I have found that the molds tend to dry out the edges of the fudge, so there is a give and take there.  The molds make the pieces adorable, but the quality is a touch higher with just the squares.  I did have an idea during the craziness of baking, but I haven't had the opportunity to try it out yet. If it works, it will warrant its own post, so you'll just have to check back.

Mar 31, 2014

Cocktail Recipe: Res Judicata

Res Judicata Recipe
Res Judicata at Drink

It's time again for a tasty cocktail recipe that few have heard of, made up of ingredients that many have never heard of.  This cocktail was created by Devon at Drink, and is a variant off of a Brooklyn.  I'll give the recipe first, and then move on to any of my thoughts about it.

Res Judicata (Pronounced 'Race Jyu-di-ca-ta')


1 ounce Bigallet China China
1.5 ounces Laphroig 10 Year
0.5 ounce maraschino
lemon peel

Shake the china china, laphroig and maraschino with ice, and strain into a cocktail glass. Garnish with lemon peel.

Let's talk a little about the unusual ingredients. There are some people who consider drinking scotch in any way other than in a glass with whiskey stones (to not water it down) a travesty.  If this is you, just back away slowly and pretend that you never saw this drink. I am not one of those people. Scotch can be a little harsh at times, but can also have some nice subtle flavors that range from a bit of caramel to the almost magic marker nose and smokey flavor that come with others.  Not being a huge scotch person myself, I am sure that there are many other options than that, and I am happy to let those passionate about the subject wax rhapsodic elsewhere.    But, just because something works well on its own doesn't mean that combining it with something else can't make something else that is tasty.  Personally I think that Edradour is a very good scotch that plays exceptionally well with amaretto.

Bigallet China China is a French liqueur dating back to the early 1800s.  Personally, I had never heard of it before Devon made this drink for a friend of mine. To give you the short story, it's a very complex bitter liqueur with orange, cardamom, cinnamon, and licorice. Also quinine, which could be of interest if you are a Victorian explorer with malaria.  As I am not, it is not something I would personally want to drink straight, but the flavors play well with the smokey nature of the Laphroig.

It has taken me a long time to really appreciate the importance of garnishes in a cocktail.  In a good cocktail bar, garnishes are not just window dressing to try to illicit an extra tip. Except for the little umbrellas or other non food item garnishes (even liquid, adult Happy Meals sometimes come with free toys!). Most other garnishes actually add flavor to the drink.  Don't believe me?  Just try this little experiment.  You can use the recipe above, or even something simple like a gin and tonic.  Just as long as it is a beverage that would normally have a fruit peel garnish.

  1. Make the drink as usual, but without the garnish.  Take a sip.  If you want, you can break it out into 3 smaller cups for comparison.
  2. Peel 2 strips of peel to use as the garnish.  For one, just take the colored part of the skin.  For the second, cut deeper so that the bottom is white.
  3. Take the peel that has the pith on it (the white underpeel) and rub that white part along the rim of the glass.  Take a sip.  It will be a bit more bitter.  Grab a damp napkin, and wipe off the rim (so that the bitterness doesn't affect the last portion of your test).
  4. Take the other piece of peel, run it around the rim again, and then twist it a little over the drink.  For this one, feel free to drop it into the drink (I just didn't want you to ruin your drink in step 3).  Now take a sip.  This time, you should be able to taste a very minor, but important difference between the first naked sip and what you have now.  But you are still avoiding the bitterness of the pith.
If you don't notice any difference, or if you preferred the first, naked cocktail, then great! You never have to worry about garnishing that drink again! And you know a little bit more about how to order at a bar.  Otherwise, now you know a little more about the role that the garnish plays in your drink.